Ronnie Rocket Blog

Juergen Teller: Fashion's provocative photographer reveals all

He got Charlotte Rampling to cuddle up, Victoria Beckham to climb into a carrier bag and Kate Moss to play guitar. How does he do it? Susannah Frankel meets Juergen Teller, the snapper the stars trust.

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It is the stuff of fashion folklore that the photographer developed a taste for hot pants while shooting the spring/summer 2004 Marc Jacobs campaign with the actress Charlotte Rampling. "I was thinking, Charlotte Rampling, she has to have a grand environment," Teller says. "And I knew she wouldn't be interested in just doing merchandising for a fashion house. I had to come up with something that went beyond that, something that would interest her, otherwise she would turn it down."

To complicate matters – and fortuitously, as it turns out – Teller, a busy man by anyone's standards, had been briefed to shoot both a womenswear and menswear campaign for the designer in question. Why not combine the two? And why not – or "fuck, why not?" as he puts it – cast himself in the male role?

"I was very selfishly thinking: I'm going to be the man. I want to be with Charlotte Rampling." What guy wouldn't, after all?

"Then, I got to Paris," – having agreed on a suitably grand location, a suite at the Hotel Crillon – "and to my complete horror I couldn't fit into any of the clothes. I was too fat."

His eyes widen. "I was really stressed out about it," he says. "I thought, oh God, what am I going to do now? My desire to be with Charlotte, that drive, had overtaken me to the point where I had overlooked that problem completely and it just wasn't going to work." Salvation came in the form of a pair of silver satin pants – "they are quite like these ones", he says, pointing at his shorts, "they were the only thing I could get into". Rumour has it, he wore them religiously from that day forward.

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Young Japanese Raise Their Voices Over Economy

FROM THE NEW YORK TIMES:

A group of young people recently gathered in a darkened park here. Holding placards and megaphones, they chanted slogans condemning the Japanese government and a lack of jobs and opportunity. The scene, which is repeated often in the gritty Tokyo neighborhood of Koenji, is nothing close to the protests that have recently shaken Iran. Indeed, the protests would hardly raise an eyebrow in most parts of the world, but in this country, which values conformity, they represent a stark departure from the norm. Since the 1960s, when youth protests turned violent, even the mildest form of protests by young people has been viewed as taboo.

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After so many decades without a grass-roots movement, protests are so rare here that many who wish to take part require basic training.

The Tokyo-based Pacific Asia Research Center, an institute that typically runs seminars on social issues like poverty, organized the recent march. After a surge of interest from young people who said they wanted to get more involved in social issues but did not know how, the center started offering what it says is Japan’s first activist training program. The sessions include poster-making and campaigning on the Web.

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Hajime Matsumoto, an activist who operates from a thrift shop in Koenji, has amassed a large following at his protests and rallies. Some like-minded Japanese have opened their own stores alongside Mr. Matsumoto’s, huddling after hours to help hatch protest plans, turning Koenji into a center of activism.

“The poor man’s revolt has finally begun!” Mr. Matsumoto shouted at a recent demonstration, banging on a full set of drums perched atop a piece of plywood on wheels. His message: even poor people deserve a good life. “If we all get together, we can bring about change!”

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